Like wolves of the same pack separated at birth, outliers instinctually recognize one another. After twisting and turning through the underground on parallel trajectories, the separate paths of Full Of Hell and Nothing collide on the collaborative LP, ‘When No Birds Sang‘ out today on Closed Casket Activities.
At this meeting point, Full of Hell and Nothing burst out of genre confines together with a sound that’s equally dangerous and dynamic. “Both bands deal with the same genre-phobia,” laughs Domenic Palermo from Nothing. “We’ve been called any style you can think of, but we’re both simply intent on making soul crushers” . “We’re beyond limiting ourselves to a genre,” agrees Dylan Walker from Full Of Hell. “There aren’t any rules, but there’s clearly an identity. No matter what Nothing does, I can tell it’s them. We’re meeting in the middle where it’s lush and beautiful, but also sad and ugly if you look closely at it. Out of mutual respect, we just decided to go for it”.
Nothing and Full Of Hell initially crossed paths in the twenty-tens, sharing the bills of shows and festivals intermittently. Dylan and Domenic kept in touch over the years, and the collaboration naturally followed. Together, they built a new “wall of sound” in the middle out of Full of Hell’s abstract and harsh ambience and Nothing’s searing shoegaze tendencies—conjuring extreme peaks and valleys inspired by the likes of My Bloody Valentine and latter-day Swans.
“We’ve never done anything like this,” Domenic goes on. “The contrast is huge as we’re putting two extremes together and making them work. We’re just bridging the gap.”